Italian Baroque Era Painter, 1604-1670 He first studied literature but at an early age turned to painting. He was probably a pupil of the late-Mannerist painter Gerolamo Imparato, though there are no known works from this period. About 1620 he became a follower of Caravaggio; he copied Caravaggio's Flagellation (Naples, Capodimonte), and his copy and the original hung in S Domenico Maggiore, Naples (copy in situ). David with the Head of Goliath (Florence, Fond. Longhi) and Sebastian (Naples, Capodimonte) are early works indebted to Caravaggio's naturalism and chiaroscuro. After 1630 Vaccaro drew inspiration from Guido Reni, Anthony van Dyck and Pietro Novelli and made copies of their works for Neapolitan collectors and dealers such as Gaspar Roomer and Jan Vandeneyden.   Related Paintings of Andrea Vaccaro :. | Joseph's Bloody Coat Brought to Jacob (df01) | Berry Picker | Madonna and Child with Sts Dominic | Sunflower I(mk12) | Enzyklopadie der Weltkunst |
Related Artists:
Charles Leickert
22 September 1816, Brussels - 5 December 1907, Mainz was a Belgian painter of Dutch landscapes. Orphan Leickert first learned painting in The Hague under the supervision of landscape painters Bartholomeus van Hove, Wijnand Nuijen, and Andreas Schelfhout among many others. Leickert specialised in winter scenes, sometimes romanticising the sky in pale blues and bright pinks. He painted almost all his works in the Netherlands, from 1841-1848 in The Hague and from 1849-1883 in Amsterdam. In 1856, he became a member of the Royal Academy of Amsterdam. At the age of 71 he moved to Mainz, Germany where he later died in 1907.
James Seymour
British Painter , ca.1702-1752 English painter and draughtsman. The son of James Seymour (d 1739), a dealer in pictures and precious metals, Seymour was among the first English painters to specialize exclusively in sporting subject-matter. Though he possibly received some informal drawing instruction from the topographer Francis Place, Seymour was essentially a self-taught artist whose education was based on the study of pictures that passed through his father's hands; one of his earliest known works is a sketch of a horse's head after van Dyck (sold London, Christie's, 16 June 1970). His early 'genius to drawing of horses' was, according to George Vertue, compromised by 'modish extravagances' through living 'gay high and loosely' and because he 'never studied enough to paint or colour well'. Elsewhere, however, it was recorded that by 1739 he was 'reckoned the finest draughtsman in his way [of horses, hounds etc.] in the whole world' (Universal Spectator, 1739), and he was certainly preferred to his chief rival, John Wootton, by many sporting patrons. Among his employers was William Jolliffe MP, of Ammerdown. Though many of his paintings are either derivative of Wootton or simply inept, or both, others are characterized by a self-conscious stylistic naivety in which meticulous attention to detail and eerily static compositions combine to create curiously memorable images of some apparent sophistication.
Cecilia Beaux
American figure and portrait painter , 1855-1942 American painter. She began her career painting on porcelain and producing lithographs and portrait drawings. She studied with Catharine Ann Drinker (1871), Francis Adolf van der Wielen (1872-3) and Camille Piton (1879), at the Pennsylvania Academy of the Fine Arts in Philadelphia (1877-8), and privately with William Sartain (1881-3). Under Sartain's guidance, she learnt to paint, producing her first major portrait, the Last Days of Infancy